It takes just 15 minutes to set up an underground church.

Two boxes and a white sheet make up the pulpit. The altar is a card table. Folding chairs constitute the pews. Then Rev. Robert Griffin, a solidly built gay American minister in his mid-40s, unpacks a battered cardboard box; inside is a wooden chalice, two candle holders, a communion plate and a dog-eared copy of the King James Bible. Add a pianist warming up on an electric keyboard and suddenly an empty meeting room is transformed into the Kingston branch of the Sunshine Cathedral, Jamaica's only gay church.

We may be accustomed to thinking of AIDS as most rampant in distant parts of the world like Africa, India, and South Asia. But these days the epidemic is flaring up a bit closer to home, in the Caribbean. Indeed, AIDS is now the leading cause of death among adults there, and the Caribbean's rate of new infections is the second highest in the world, following just behind Sub-Saharan Africa.

Jamaica's hard-to-reach and embattled gay community has been ignored by the government's public health program for the last 25 years. Last year, a study revealed that nearly one-third of gay men in Jamaica may be infected with the virus that causes AIDS, but the island's public health response remains paralyzed by homophobia as the epidemic continues its uncontrolled spread through Jamaican society.

Stigma and discrimination prevent people around the world from accessing the HIV prevention, care and treatment services they need. This is particularly true in areas of the Caribbean, such as Jamaica, where anti-sodomy laws and concerns about violence put vulnerable populations at extreme risk.

Poet Kwame Dawes provided the words for HOPE & Wisteria, two back-to-back performance pieces that explore different aspects of the black experience. But his contribution, vital as it is, is only one part of the puzzle. Each production is a multimedia piece using music, images and Dawes' poetry.

The musicians and singers, performing alongside Dawes on stage, contribute immensely to the power of the production, as do the photographers whose work is projected on a large screen behind the performers.

In an interview on The Root, poet Kwame Dawes discusses his role and shares his experience in creating the multimedia project "Hope: Living and Loving with HIV in Jamaica," commissioned by the Pulitzer Center to document the human face of HIV in Jamaica, the country of Kwame's youth.

Learn more about the Emmy-winning LiveHopeLove.com