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No Two Rooms Are Alike in Ukrainian Prisons

A dormitory room in a women’s prison in Chernigov. Image by Misha Friedman. Ukraine, undated.

A dormitory room in a women’s prison in Chernigov. Image by Misha Friedman. Ukraine, undated.

The Chicago skyline on the wall in a room for conjugal visits at the men’s maximum-security prison in Berezan, in the Kyiv Oblast region. Image by Misha Friedman. Ukraine, undated.

The Chicago skyline on the wall in a room for conjugal visits at the men’s maximum-security prison in Berezan, in the Kyiv Oblast region. Image by Misha Friedman. Ukraine, undated.

A room for conjugal visits at the women’s prison in Odessa. Image by Misha Friedman. Ukraine, undated.

A room for conjugal visits at the women’s prison in Odessa. Image by Misha Friedman. Ukraine, undated.

Statue of wrestlers at the juvenile prison in Kharkiv. Image by Misha Friedman. Ukraine, undated.

Statue of wrestlers at the juvenile prison in Kharkiv. Image by Misha Friedman. Ukraine, undated.

A dormitory in a women’s prison in Chernigov. Image by Misha Friedman. Ukraine, undated.

A dormitory in a women’s prison in Chernigov. Image by Misha Friedman. Ukraine, undated.

Below a painting of wheat, there is a table with bread and salt for visitors in a pretrial detention center. The prisoners make the bread. The painting is in the national colors. Image by Misha Friedman. Ukraine, undated.

Below a painting of wheat, there is a table with bread and salt for visitors in a pretrial detention center. The prisoners make the bread. The painting is in the national colors. Image by Misha Friedman. Ukraine, undated.

Portrait of Mike Tyson at a men’s prison in Chernigov. Image by Misha Friedman. Ukraine, undated.

Portrait of Mike Tyson at a men’s prison in Chernigov. Image by Misha Friedman. Ukraine, undated.

A bedroom for children in the visitors’ dorm at the men’s prison in Berezan. Image by Misha Friedman. Ukraine, undated.

A bedroom for children in the visitors’ dorm at the men’s prison in Berezan. Image by Misha Friedman. Ukraine, undated.

Dormitory at the men’s maximum-security prison in Berezan. Image by Misha Friedman. Ukraine, undated.

Dormitory at the men’s maximum-security prison in Berezan. Image by Misha Friedman. Ukraine, undated.

Dormitory at the women’s prison in Odessa. Image by Misha Friedman. Ukraine, undated.

Dormitory at the women’s prison in Odessa. Image by Misha Friedman. Ukraine, undated.

The women’s prison in Kamenskoe, in the Dnipro region. Image by Misha Friedman. Ukraine, undated.

The women’s prison in Kamenskoe, in the Dnipro region. Image by Misha Friedman. Ukraine, undated.

Sign depicting seasonal prison uniforms at the women’s prison in Chernigov. Image by Misha Friedman. Ukraine, undated.

A sign depicting seasonal prison uniforms at the women’s prison in Chernigov. Image by Misha Friedman. Ukraine, undated.

Seasonal prison uniforms at a men’s prison in the Zhitomyr region. Image by Misha Friedman. Ukraine, undated.

Seasonal prison uniforms at a men’s prison in the Zhitomyr region. Image by Misha Friedman. Ukraine, undated.

I first visited Ukrainian prisons in 2009, while working on a project for Doctors Without Borders. I remember seeing the conjugal rooms and being struck by how no two rooms were alike.

I wondered whether we could learn something about a country by observing the places where the incarcerated live.

I returned to Ukraine nine years later after securing wide-ranging access to photograph the country’s penal system.

I visited 17 prisons all over the country: maximum security, pretrial, men’s and women’s, and one juvenile.

Prisoners decorate their own rooms. There’s no budget, no guidelines or any kind of code that dictates what rooms should look like. The rooms are reflective not only of their taste but also of an impoverished institution. Perhaps a wall is painted green because the warden was able to procure a few cans from the local paint shop, as a barter for some pickled cabbage made in the prison’s kitchen.

Three of the prisons I visited had only recently closed. I could still feel the essence of the people who had inhabited these spaces.

I studied these landscapes and looked for little touches — clues of who the people were and what it might have felt like to be there.