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"Grand: The Piece Makes a Wonderful Whole," Wisteria and HOPE Review in the Winston-Salem Journal

Poet Kwame Dawes provided the words for HOPE & Wisteria, two back-to-back performance pieces that explore different aspects of the black experience. But his contribution, vital as it is, is only one part of the puzzle. Each production is a multimedia piece using music, images and Dawes' poetry.

The musicians and singers, performing alongside Dawes on stage, contribute immensely to the power of the production, as do the photographers whose work is projected on a large screen behind the performers.

HIV/AIDS in Jamaica: A Poet Responds

In an interview on The Root, poet Kwame Dawes discusses his role and shares his experience in creating the multimedia project "Hope: Living and Loving with HIV in Jamaica," commissioned by the Pulitzer Center to document the human face of HIV in Jamaica, the country of Kwame's youth.

Learn more about the Emmy-winning LiveHopeLove.com

Wisteria & HOPE featured in YES! Weekly

Although it's called the Black Theatre Festival, this biennial gathering of African-American artists draws creative people from all over the nation working in a variety of mediums. Kwame Dawes, the poet in residence at the University of South Carolina, will present his multimedia productions titled Wisteria and Hope during the festival. [For complete performance listings, see page 20.] Wisteria and Hope are two separate pieces performed back to back.

"Hope's Hospice" reviewed in the Jamaica Gleaner

"Hope's Hospice," a collection of poetry by Kwame Dawes inspired by his Pulitzer Center-sponsored reporting in Jamaica, was called "sublime" in a review by The Jamaica Gleaner. The poetry, which largely handles the impact of AIDs on Jamaican society, is accompanied by photographs by Joshua Cogan. According to The Gleaner, the collection "will jolt you from your slumber and spur you to think, to act" about AIDs "without being preachy."